Ich bin der Meinung, dass die ganze Digitalisierung, die jetzt ja auch immer mehr Bestandteil unseres Daseins ist, Erfahrungsvermögen verdunkelt. Es gibt Bilder die verlöschen eins nach dem anderen ohne Spuren hier oben [anm.: im Kopf] zu hinterlassen. Es geht wahnsinnig schnell. Und vielleicht deshalb können oder wollen wir so viel konsumieren. Die sinnlich wahrnehmbare Welt verströhmt eine Aura, meine ich, die nicht digitalisiert werden kann. Wir müssen achtgeben jetzt, dass wir die digitale Welt beherrschen und nicht von ihr beherrscht werden.
❤️☠️🤖
The second season of the unique animated Netflix series Love Death + Robots is available since last weekend and once again David Fincher and Tim Miller have put together an impressive collection of science fiction short films by animation studios from around the world, as well as Miller’s very own visual effects studio Blur.
As a result the eight new episodes, produced by different casts and crews, vary widely in tone, length and style again, whereby the series as a whole still clearly targets an adult audience.
After the first run my favourite new episode is “The Drowned Giant” by Tim Miller himself, which closes this season and offers an unusual, poetic and gentle narrative based on a short story by J. G. Ballard from 1964. It stands out against the rather action-filled, more traditional Sci-Fi topics presented in most of the other new pieces of the anthology.
It can’t quite keep up with the wonderful, Zen-like “Zima Blue” from season one, though, which I must have watched a dozen times. To me the second season overall is not as strong as the first one, albeit beeing extremly impressive and diverse on the technical side yet again. Perhaps the concept isn’t as fresh anymore as it was when launched initially back in 2019 –so thematic overlaps are predetermined to happen–, or perhaps the fewer episodes –eight instead of eighteen– naturally leave less room for variation and new ideas. Either way, I somewhat missed the impact the first eigtheen episodes had on me.
With that beeing said, if you are into (mature) animation, the art of moving-images and science fiction stories, there’s nothing like this series –at least since Heavy Metal (1981) and Animatrix (2003)– and season two is well worth watching for sure. I’m very happy the gutsy, artistic project is continued, an eight-episode third season is scheduled for a release in 2022.
I’d say slow down, find a quiet place and create time for solitude so you can hear yourself. It’s so noisy out there. And find the good ones around you –the patient, compassionate and interested– then elevate the conversation as often as you can. The things that nourish you are also the things that will nourish your work, give it purpose, depth and soul. It’s hard to say what those things may be, but life has taught me over and over that you don’t need to know if you are willing to ask.
Over the past few decades, we have helped build a corporate culture that systematically prioritizes short-term gains over longer-term product health.
A well written, intriguingly designed online essay by Fabricio Teixeira, Caio Braga and Emily Curtin about provoking change through the work we do every day as digital product designers. I totally agree, the world needs a tech diet.
The word ‘studio’ is derives from ‘study’. Our object is not to know the answers before we do the work. It’s to know them after we do it.
This dynamic hints at another shift: Even our most solid, real-world possessions are increasingly inseparable from the intangible and ephemeral digital world. Which means that as much as our relationship to digital possessions may be evolving, so is our relationship to tangible ones — and it’s not a relationship in which the consumer holds much power.
A great article by Dan Greene on The erosion of personal ownership in our increasingly connected world. I highly recommend checking out Internet of Shit on twitter afterwards to witness some of the ludicrous, unintentionally funny ramifications the internet of things holds when the current digital development goes bananas.
vox.com/the-goods/22387601/smart-fridge-car-personal-ownership-internet-things