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  • October 10th 2021
    tags: filed under thinking out loud, films and series
    tags:
    • series
    estimated reading time:
    tags: just shy of three minutes (~883words)

    Ted Lasso

    »If the Lasso way is wrong, it’s hard to imagine being right.«

    Thanks to the many streaming services producing original shows for their programs, we are living in the golden era of TV series. Large-scale projects with a ludicrous production value and great writing à la ‘The Mandalorian’, ‘Dark’, ‘Mr. Robot’, ‘The Witcher’, ‘Mindhunter’, ‘Black Mirror’ or ‘Stranger Things’ used to be very rare back in the days of classic television, let alone the exceptional niche projects like ‘Love Death + Robots‘, ‘Abstract’ or Bo Burnham’s ‘Inside‘. [the last not being a series, I know, but can’t mention this marvelous piece of art often enough]

    By contrast, there hasn’t been much original comedic content I’ve gotten really enthusiastic about from those services —besides some of the Netflix stand-up specials and maybe ‘How to Sell Drugs Online (Fast)’. That being said, it’s great to have wide access to the beloved sitcoms initially produced for television, such as ‘Modern Family’, ‘Life In Pieces’, ‘Community’ and the best sitcom of all time –and one of my favourite series altogether– ‘Scrubs’.

    Only recently I became aware of a new show developed by its creator Bill Lawrence –for Apple’s streaming service, unfortunately– called Ted Lasso. It’s centered around a pre-existing character, which was created by Jason Sudeikis over a decade ago for a stage program and later adapted for a series of promotional clips from broadcaster NBC Sports, before it became the lead character in the show of the same name in 2020.

    Its underlying story is quickly summarized: Rebecca Welton hires American Football coach Ted Lasso to train her football –being soccer, not the American sport– club ‘AFC Richmond’ so that he’d fail miserably and ruin the Premier League team in the long run. In doing so she hopes to get revenge on her cheating ex-husband, who previously owned the club and still is very attached to it.

    Ted : Guys have underestimated me my entire life and for years I never understood why —it used to really bother me. But then one day I was driving my little boy to school and I saw a quote by Walt Whitman, it was painted on the wall and it said, ‘Be curious, not judgmental.’ I like that. So I get back in my car and I’m driving to work and all of the sudden it hits me —all them fellas that used to belittle me, not a single one of them was curious. You know, they thought they had everything figured out so they judged everything and they judged everyone. And I realized that their underestimating me —who I was had nothing to do with it. Because if they were curious they would have asked questions.

    At its core, the story follows the fish-out-of-water narrative, poking fun at some of the cultural differences between America and England along the way —the mismatch in language being a constant source for gags for example. As a matter of fact, one might hear the premise and brush aside Ted Lasso for simply being a classical underdog sports story, but just like ‘Scrubs’ wasn’t a hospital series in the first place, there’s no need to be interested in soccer at all to enjoy this show.

    Both series use their setting merely as a vehicle to touch on essential topics like anxiety and loss, struggle and success, belonging and purpose, and, above all, human relationships —be it of romantic or professional nature, friendship or family ties. They are entertaining comedies at heart and very funny at that, but both manage to balance out the easy-going laughs with some heartfelt drama more effortless than any other series I know of. Lawrence is able to make you literally laugh out loud on some silly nonsense, just to tug at your heartstrings a few scenes later or hit you hard with some inspiring life advice every now and then.

    In a ‘Sesame Street’ themed episode during the last season of ‘Scrubs’ [S8 E5; My ABC’s] its protagonist Dr. John ‘J.D.’ Dorian contemplates about the famous children’s series, but to me, the bottom line has always applied to ‘Scrubs’ itself, too, and it holds true to Ted Lasso just the same:

    J.D. : And then I realised why I thought about Sesame Street all day. In a way, you can learn everything you have to know from watching it as a kid. Like, always play nice, always try your hardest and even, it’s okay to cry.

    Another strength of Ted Lasso –besides its amazing writing– is the quality of its ensemble. It’s an absolute joy to watch Sudeikis embody the relentlessly optimistic, almost annoyingly positive coach with unexpected depth. Thanks to him the series is upbeat and brim-full of frenetic energy without ever losing the human touch.

    And from Lasso on down, there’s a roster of great figures with personalities and interesting character arcs throughout the seasons. The entire cast through to the supporting actors is terrific, bringing grandiose chemistry onto the screen.

    On Friday the final episode of the second season dropped and I’m really curious how the confirmed third season is going to wrap up the loose story threads we are left with right now. But I’m pretty optimistic, that Ted Lasso is going to join ‘Scrubs’ for my favourite series of all time eventually.

    .../blog/2021/10/10/ted-lasso/
  • May 18th 2021
    tags: filed under thinking out loud, films and series
    tags:
    • animated films
    • CGI
    • sci-fi
    • series
    • short films
    estimated reading time:
    tags: a minute and a bit (~307words)

    ❤️☠️🤖

    The second season of the unique animated Netflix series Love Death + Robots is available since last weekend and once again David Fincher and Tim Miller have put together an impressive collection of science fiction short films by animation studios from around the world, as well as Miller’s very own visual effects studio Blur.

    As a result the eight new episodes, produced by different casts and crews, vary widely in tone, length and style again, whereby the series as a whole still clearly targets an adult audience.

    After the first run my favourite new episode is “The Drowned Giant” by Tim Miller himself, which closes this season and offers an unusual, poetic and gentle narrative based on a short story by J. G. Ballard from 1964. It stands out against the rather action-filled, more traditional Sci-Fi topics presented in most of the other new pieces of the anthology.

    It can’t quite keep up with the wonderful, Zen-like “Zima Blue” from season one, though, which I must have watched a dozen times. To me the second season overall is not as strong as the first one, albeit beeing extremly impressive and diverse on the technical side yet again. Perhaps the concept isn’t as fresh anymore as it was when launched initially back in 2019 –so thematic overlaps are predetermined to happen–, or perhaps the fewer episodes –eight instead of eighteen– naturally leave less room for variation and new ideas. Either way, I somewhat missed the impact the first eigtheen episodes had on me.

    With that beeing said, if you are into (mature) animation, the art of moving-images and science fiction stories, there’s nothing like this series –at least since Heavy Metal (1981) and Animatrix (2003)– and season two is well worth watching for sure. I’m very happy the gutsy, artistic project is continued, an eight-episode third season is scheduled for a release in 2022.

    .../blog/2021/05/18/love_death_robots_s02/
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